Monitoring Obshchestvennogo Mneniia, the monthly publication of the All Russian Center for the Study of Public Opinion (VTsIOM).
A series of five articles scandalously decrying the new literary prize, imported from England, the Russian Booker.
The open letter that became known as the Letter of the 13, signed by thirteen of post-Soviet Russia’s most powerful businessmen ahead of the 1996 election, was as much as anything a manifesto of the power of capital in post-Soviet politics.
A Russian soldier during the first Chechen War, Rodionov was captured outside of Grozny and reputedly executed for refusing to renounce his Orthodox faith. His image has since served as the inspiration for several of post-Soviet Orthodoxy's most popular new icons.
Nothing characterized the everyday experience of the urban Russian 1990s like crime; as shown in this first comprehensive statistical study of the 1990s, crime was just as bad as everyone had known. But the numbers also reveal some unexpected trends.
In 1994, Alexander Solzhenitsyn staged a theatrical return to Russia, flying from America to Magadan, and then returning by train from Vladivostok to Moscow. The journey and the salvific importance Solzhenitsyn attached to it soon became the target of much derision, as well as some praise.
In the weeks leading up to the Second Chechen War, Russia’s right wing publications reminded their audiences of the humiliation of the First Chechen War, and called for—nationalist, racist, brutal—revenge.
Interview with LGBTQ activist Evgenia Debryanskaya in the newspaper Аргументы и факты
Article on the affair between poets Marina Tsvetaeva and Sophia Parnok in LGBTQ magazine Риск
Russian translation of an article by American scholar Simon Karlinsky on Sergei Diaghilev, published in the LGBTQ magazine Тема
Masha Gessen interview with Elena Bonner, published in the LGBTQ magazine Тема
Item about a police raid at a gay nightclub from the LGBTQ community bulletin Центр треугольник информационный бюллетень
"Pisateli trebuiut ot pravitel’stva reshitel’nykh deistvii [Writers demand decisive actions from the government].” A letter signed by prominent intelligentsia during the 1993 Parliamentary crisis, in which the liberals urge Yeltsin to use lethal force to destroy the Communist-led parliamentary opposition.
"Vyiti iz tupika [To Get Out of the Impasse]," an op-ed coauthered by Berezovsky, Gusinsky and other prominent 'oligarchs,' in which they announce their intention to use all media resources at their disposal to sink Ziuganov's chances of beating Yeltsin in the 1996 election.
A collection of "Petrovich" cartoons at Russia’s ‘first business newspaper,’ Kommersant, drawn by Andrei Bil’zho. They depict a hapless and repulsive comic personage, born and raised in the Soviet era and now trying to get used to the realia of post-Soviet capitalism.
Series of articles from the nascent Kommersant Daily in late 1992-early 1993, assessing and explaining the nature of its target audience, the “New Russians”
LGBTQ activist Yaroslav “Slava” Mogutin’s response to another article on gay men in post-Soviet Russia (by Aelita Efimova) in the magazine Совершенно секретно.
Late-Soviet mainstream-press article about the AIDS epidemic (from the newspaper Литературная газета)
Article about the love affair between and the literary destinies of the poets Sergei Esenin and Nikolai Kliuev in the literary supplement to the gay newspaper 1/10
Infamous article on the Chechen war by controversial gay journalist Slava Mogutin
An article on the early 1990s LGBTQ activism of Masha Gessen in Russia
A piece in the monthly magazine Совершенно секретно in which a (presumably) heterosexual female journalist responds to the emergence of a gay subculture in early post-Soviet Russia
A letter to readers from the editor of a regional newspaper (from the Ural region of Russia), Гей диалог
Excerpt of Kitchen Diary written by Piskunov and sent to KP
Popular film magazines like Soviet Screen (Sovetskii Ekran), were instrumental in establishing rock musicians as cultural icons. Volume 7 (1987) publication places Konstantin Kinchev, frontman of the Leningrad band Alisa, on the cover of its “youth issue” (molodezhnyi vypusk) in an effort to promote the Valerii Ogorodnikov’s film The Burglar (Vzlomshchik, 1987) in which Kinchev plays the lead role.
The cover image from volume 13 (1988) depicts Viktor Tsoi of Kino and Petr Mamonov of the Moscow-based rockband Zvuki Mu. Both artists appeared in Rashid Nugmanov 1988 film The Needle (Igla, 1988), which cemented Tsoi’s rock stardom and firmly established
Mamonov as a serious actor. He went on to star in Pavel Lungin’s drama Taxi Blues (Taksi Bliuz, 1990), which was released to international acclaim and became one of the classic examples of the perestroika-era chernukha aesthetic.
The final print issue of the Leningrad-based samizdat rock journal Roksi, which was
founded in 1977 by members of the rock band Aquarium and the future president
of the Leningrad Rock Club. Considered to be the first rock publication in the
Soviet Union, which was subject to raids by the KGB, Roksi eventually
became the official newsletter of the LRC, and thus legitimized by the state
apparatus.
Tatiana Samolis, "Ochishchenie," Pravda
Komsomol'skaya pravda "500 days" special issue
"Power to the Fourth Estate," Izvestiia
Gorbachev’s Speech before a Gathering of State Media Leaders, March 14, 1986
Front page of KP when the format of the printed version changed to adjust to 1990s print media reading habits and financial constraints
Newspaper discussion of Press Law of 1990, Knizhnoe obozrenie, 30 March 1990
Andreeva's speech opening the first meeting of the All-Union COmmunist Party of Bolsheviks, 8 November 1991
Moscow's samizdat music journal, which followed in the footsteps of Lenigrad's Roksi while forging a new journalistic style. The journal positioned itself to in many ways reject the Leningrad scene. Despite Moscow-based bands generally leaning towards a more avant-garde, art-rock aesthetic, Urlait made a point to promote so-called "national rock." According to Urlait's founder I. Smirnov, bands like DDT, DK, and Oblachnyi Krai (Yuri Loza) were said to be "oriented towards national problems, in opposition to estrada and the confluence of Western and domestic cultural traditions."
Kontr Kult Ur'a was envisioned as an ideological reincarnation of Urlait, which was deemed by the new editorial board as "cult-like" and "radically positioned." The journal also was one of the first samizdat rock zines in Moscow and Leningrad to prominently feature and promote Siberian punk rock, including Egor Letov, Civil Defence, and Yanka.
According to rock historican Alexander Kushnir, Tiumen's samizdat music zine Anarkhia served as "the Bible of western Siberian punk rock," standing in opposition to the other Soviet rock samizdat publications with its strict affinity to punk as its central aesthetic ideology.
An official rock club survey in which Sergei Kuryokhin utlilizes the late-Soviet aesthetic of stiob and performative socialism to underscore the club's dependence on the KGB
"Bol'she demokratii, men'she tain," article/interview in Izvestiia
An article by Russian LGBTQ activist Slava Mogutin and American LGBTQ activist Sonja Franeta on the history of homosexuality in the Soviet penal system
An article by Russian LGBTQ activist Slava Mogutin and American LGBTQ activist Sonja Franeta on the history of homosexuality in the Soviet penal system
An article from Argumenty i fakty from 1990 in which w journalists seek comment from Igor Kon on the topic of homosexuality
Piece on the gay Russian émigré poet Valerii Pereleshin with excerpts from his verse cycle “Ariel” in gay newspaper Shans
Nina Andreeva's letter published in Sovetskaia Rossiia
Essay by gay former Soviet inmate published in journal Gay, славяне!
AIDS prevention public service announcement in the gay magazine Импульс
Item in Правда about Slava Mogutin’s attempt to register marriage to partner Robert Filipini
“The New against the Old,” a programmatic article by Aleksandr Dugin from the first issue of Limonka, the official newspaper of Eduard Limonov’s National Bolshevik Party (NBP), radical political organization/countercultural movement.
An article by Aleksey Tsvetkov, anarchist writer and associate director of Limonka who temporarily turned the newspaper to a postmodern art project of sorts.
A cover of Limonka from 1997 displaying a collage by Aleksandr Lebedev-Frontov.
Sovershenno sekretno, the first privately owned periodical in Soviet Russia since 1917, showcased a combination of transparency and sensationalism that became a distinguishing feature of journalistic writing in the post-Soviet period.
"The White Dance" by Evgeny Dodolev broke a major taboo of Soviet press, by doing a report on the existence of foreign-currency prostitutes in the USSR. Dodolev would then go on to be a part of the Vzgliad team, as well as the creator of 1990s "Novyi vzgliad"
"Moscovskii komsomolets," 19-21 November, 1986
Novyi Vzgliad authors write some of the most scandalous and incendiary political commentaries of the 1990s, producing new forms of political irony. Iaroslav Mogutin and Eduard Limonov turn violence into a paradoxical source of identity. The main artifact here–an article by Mogutin–exemplifies this process.
Kuryokhin explains his definition of fascism and his distinction between mainstream postmodernism and a postmodernism of protest.
Profile of a post-Soviet lesbian survivor of Soviet-era anti-LGBTQ repressions
Glagol Press (Moscow) 1991 edition of Eduard Limonov’s It’s Me, Eddy.
Article disputing accounts of Tchaikovsky’s suicide in the face of having his homosexuality broadly divulged.
Pseudoscientific article on cures or treatments for homosexuality.
Interview of gay activist
Cover of Time Magazine, 1987
Campaign documents surrounding the 1991–92 referenda on the independence of Crimea.
The most famous woman in the Soviet Union transformed into a successful post-Soviet star.
Igor Dudinsky takes over the magazine Megapolis-ekspress and turns it into an extreme and surreal parody of the lowest and most excessively sensationalist forms of Western tabloids.
A selection of articles from the English-language magazine the eXile, which combined gonzo journalism and styob and provided unique reporting on post-Soviet Russia, while at the same time fetishizing the 1990s lawlessness or bespredel and the Westerners’ exploitation of Russia (sexual and otherwise) that it itself denounced and condemned.