The Post-Soviet Public Sphere

Multimedia Sourcebook of the Russian 1990s

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Thematic Tags: Lawlessness

6 Results

Novyi Vzgliad: Violence, Political Irony, and National Pride

Novyi Vzgliad authors write some of the most scandalous and incendiary political commentaries of the 1990s, producing new forms of political irony. Iaroslav Mogutin and Eduard Limonov turn violence into a paradoxical source of identity. The main artifact here–an article by Mogutin–exemplifies this process.

The World Made of Plastic Has Won

Egor Letov performs his song “Moia oborona” (My defense), during his “concert in the hero city Leningrad,” part of Grazhdanskaia oborona’s 1994 tour Russkii proryv (Russian breakthrough).

Megapolis-Ekspress: Urban Exoticism and National Pride

Igor Dudinsky takes over the magazine Megapolis-ekspress and turns it into an extreme and surreal parody of the lowest and most excessively sensationalist forms of Western tabloids.

Transilvania is Bothering You (On Radio 101 FM)

The cult radio program Transilvania bespokoit (Transilvania is bothering you) creates an alternative musical canon and produces a new nationalist counterpublic.

Svetlana Baskova captures the surreal, deeply violent, and grotesque essence of the 1990s and the Chechen wars in her cult trash movie, Zelenyi slonik (The little green elephant, 1999).

An excerpt from Svetlana Baskova’s film Zelenyi slonik (The little green elephant, 1999).

the eXile: Bespredel for Expats

A selection of articles from the English-language magazine the eXile, which combined gonzo journalism and styob and provided unique reporting on post-Soviet Russia, while at the same time fetishizing the 1990s lawlessness or bespredel and the Westerners’ exploitation of Russia (sexual and otherwise) that it itself denounced and condemned.

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