A snarling, nude and chained Kulik attacks cars and strangers, while Brener pulls on the chain, both are in a public street.
A wall of fan graffiti dedocated to the late Soviet rock star Viktor Tsoi on Moscow's famous Arbat Street.
A wall of graffiti in the courtyard of the Leningrad Rock Club (1981-1991) on 13 Rubinshteyna Street in Leningrad (St. Petersburg), which featured fan street art dedicated to USSR's most revered rock-music collectives. When the wall was painted over in 2010 by the bulding's new proprietor, this caused a public outcry from both rock fans and the many surviving musicians from that era, who sought to preserve the LRC's legacy and designmate the wall and the building a historical landmark.
Alexander Shaburov developed a series of performances about artistic identity, which included both mocking and pastiching the cult leader Marina Tsvigun (AKA "Maria Devi Christ" ) whose group attempted to seize the Saint Sophia Cathedral in Kyiv in 1993.
Alexander Brener, "First Glove" 1995: a performance where Brener challenged Yeltsin to a fist-fight on the Red Square.
A group of people holding a banner reading "Against Everyone" stand atop Lenin's Masoleum.
A monument pedestal with no statue, two uneven footprints are imprinted on the pedestal.
Image of the actionist group E.T.A. forming an obscene word out of their bodies in front of the Kremlin
Cover of "Radek" featuring four denuded men in front of the burned White house.
A photograph of a group of youths doing a Punk-Skomorokh performance at a public boardwalk. B.U. Kashkin's "Kartinnik" circle creates a wave of notorious but positive and cheerful actionism.
B.U. Kashkin's circle created outsider art in various media, but especially painting, distributing it to the public during their Punk-Skomorokh perfromances. B.U. Kashkin encouraged amateur artists to experiment with public art.
Photograph of artists barricading Bolshaia Nikitinskaia street
Graffiti of Leonid Brezhnev and Erich Honecker kissing on the East Berlin wall.
Timur Novikov’s essay and manifesto “The New Russian Classicism.”