B.U. Kashkin's circle created outsider art in various media, but especially painting, distributing it to the public during their Punk-Skomorokh perfromances. B.U. Kashkin encouraged amateur artists to experiment with public art.
Perestroika
1989
This image by artist Antip Odov (the pseudonym of Vladiimir Bolotov), “Every Sunday at 3 PM at the Dam, the skomorokhi (jesters) will gift society pictures!” (1989) represents the communal, participatory nature of this radical artistic project, depicting B. U. Kashkin himself as a literally inverted “great leader” who is massively larger than the little people below him. In its stylization of hierarchy, the image recalls 1930s-era portrayals of Stalin and Lenin. In contrast to these somber and weighty images, B.U.Kashkin is shown upside-down and standing on his hands, unstable and ludicrous, above a crowd that is not reverential, but cavorting in joyful, individualistic dance. The artifact, made to be gifted to strangers, exemplifies the ephemeral materiality of Perestroika-era art consciously ignoring both the norms of Soviet art and the new market realities of the Post-Soviet period in the search for a renewed artistic community.
Sverdlovsk
B. U. Kashkin and Shaburov, Aleksandr (Alexander)
Sverdlovsk
Shaburov, A. pub. in B.U. Kashskin (1938-2005): Life and Works of the Ural Punk-Skomorokh, ed. by Shaburov, Ekaterinsburg: Ural Government Center for Contemporary Art, 2015.