The first issue of Red Hogwash's cover depicts a man in the costume of the Statue of Liberty lighting a cigarette with the torch.
An annotated map of gay locales (cafes, bars, nightclubs, saunas, and cruising areas or "pleshki" in a 1997 issue of the gay magazine Арго
A piece on David Bowie, focusing on the star’s bisexuality, in the glossy color gay magazine Мальчишник
Page from the "World of New Russians Dictionary" with a mocking Vitruvian man.
Cover art for an album by pop-music artist Sergei Penkin.
Busy tabloid cover depicting pop stars Alla Pugacheva and Fillip Kirkorov embracing next to a headline speculating about the viability of Kirkorov's sperm.
Cover of the first issue of SpidInfo depicting an anxious nude couple turned away from each other in bed.
Pravda coverage of Soviet tanks in Vilnius, January 1991
Serving as a testament to the meteoric rise in popularity and the widespread influence of rock music culture on the everyday lives of the newly post-Soviet citizens, this 1992/1993 math calendar, intended for schoolchildren set to master the concepts of algebra and geometry, cements the shift of public opinion about the position and status of rock musicians in Soviet/post-Soviet society from that of ideologically nefarious loafers to newly minted fallen heroes and teenage idols. The recently deceased Tsoi is inscribed in this artifact as an officially sanctioned role model for Russian youth, whose death is emblematic of the fading old regime, and whose music is a fully commercialized consumer product.