Geographic Foci: Former Soviet Union
Selection from the music TV show Drëma, which aired on TV-6 in 1997-98 before being shut down because of its provocative content. Hosted by Vladimir Epifantsev and Anfisa Chekhova. An early (quite experimental) example of pop culture in post-Soviet Russia.
“The New against the Old,” a programmatic article by Aleksandr Dugin from the first issue of Limonka, the official newspaper of Eduard Limonov’s National Bolshevik Party (NBP), radical political organization/countercultural movement.
An article by Aleksey Tsvetkov, anarchist writer and associate director of Limonka who temporarily turned the newspaper to a postmodern art project of sorts.
A cover of Limonka from 1997 displaying a collage by Aleksandr Lebedev-Frontov.
Excerpt from an early episode (the second) of a new version of the popular talk show Vzgliad, co-hosted by Aleksandr Liubimov and Sergey Bodrov Jr., which aired weekly on the TV channel ORT in 1996-1999.
Novyi Vzgliad authors write some of the most scandalous and incendiary political commentaries of the 1990s, producing new forms of political irony. Iaroslav Mogutin and Eduard Limonov turn violence into a paradoxical source of identity. The main artifact here–an article by Mogutin–exemplifies this process.
Kuryokhin explains his definition of fascism and his distinction between mainstream postmodernism and a postmodernism of protest.
An episode from Dugin's political campaign in Saint Petersburg, in which Sergey Kuryokhin and Aleksandr Dugin make fun of liberal democracy (and Yeltsin’s referendum) on Russian TV.
An episode of Kuryokhin’s radio program “Vasha liubimaia sobaka” (aka “Nasha malenkaia rybka,” aka “Russkii liudoed”).
Video and lyrics of Mumiy Troll’s 1997 breakthrough song “Utekai” (Beat it) displaying the combination of surrealism, dark humor, and provincial romanticism that comes to shape the band’s trademark style.
Two of the early direct actions organized by the young members of the NBP that combined self-martyrdom and totalitarian styob.
The cult radio program Transilvania bespokoit (Transilvania is bothering you) creates an alternative musical canon and produces a new nationalist counterpublic.
Timur Novikov’s essay and manifesto “The New Russian Classicism.”
An excerpt from the famous episode of the TV show Piatoe koleso in which the experimental musician and performer Sergey Kuryokhin argued and almost convinced Soviet audiences that "Lenin was a mushroom."
Two of the early direct actions organized by the young members of the NBP that combined self-martyrdom and totalitarian styob.
A clip from the most-watched entertainment show of the 1990s, "Pole Chudes [Field of Miracles],” which renders the post-Soviet narod of regular folks, engaged in a free-flowing relationship with capitalism and Russia’s central television